Afterlife of the Party: An Exploration of Female Friendship
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.

Mrs. Pilgrim, a sweet kindergarten teacher from Arkansas, has become so confident in her annual 5 food group school play that she decides to turn it into a motion picture. After being turned down by numerous celebrities including Ted Danson and Mary Steenburgen, She cast a foul mouth rapper named Intercourz. When her film crew starts acting up, Mrs. Pilgrim takes control, enforcing time outs, mandatory naps, and raising your hand before you speak. So sit straight up. drink your milk, and pay attention as MRS. PILGRIM GOES TO HOLLYWOOD.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.