The Russian president decides to go on vacation. To do this, he changes his appearance with the help of prosthetics and make-up, but the hapless artist takes the cover image of the first magazine he sees laying around, and now the President looks exactly like the narcissistic marginal Valera who's hiding from the collectors. Ironically, the FSO's vigilant employees put surveillance on the wrong subject and while the real head of state plunges into commonness, goes on a road trip with fellow traveler Zina, Valera gladly enjoys the presidential service, simultaneously voicing opinions on foreign and domestic policy issues ...
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
‘Barbie’ is an entertaining, meaningful piece of filmmaking with a heartfelt message.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
