‘Little Woods’ Review: A Powerful New Take on the Western Genre
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

Set in early 1800s England, a young lady (Gemma Chan) engages in courtship with a mysterious wealthy suitor, Mr. Malcolm (Sope Dirisu), unaware of his unattainable list of demands for his future wife. Written by Suzanne Allain, based on her script and novel of the same name, and directed by Emma Holly Jones, the romantic comedy stars Sope Dirisu, Gemma Chan, Oliver Jackson-Cohen, and Freida Pinto.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.