Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

The film tells the story of the legendary Soviet boxer Valery Popenchenko, USSR and European champion and winner of the 1964 Tokyo Olympics. His life was a rollercoaster ride of ups and downs - from his childhood in Tashkent’s Suvorov Military School and service as a border guard, to his first victories and failures, and his friendship with Dynamo sports society coach Grigory Kusikyants.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.