Trans Allegories in Film: 'Your Name' (2016)
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.

This performance of Mozart's Great Mass in C minor, which remained an unfinished torso, is reverent and highly dramatic. It was filmed 4-6 April 1990 in the beautiful Baroque Basilica of Waldsassen in Bavaria: a few kilometers from the Czech border. It was filmed just a few months after the Iron Curtain had fallen, a mere 6 months before Bernstein's death on 14 October 1990. His painful, labored breathing is evident during this performance. It is a sad reminder of what is to come and it makes this performance, so other-worldly in many ways, particularly poignant. Bernstein conducts the splendid Chor und Symphonieorchester des Bayerischen Rundfunks.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
The re-living of this historic trial through this film is relevant to current politics and disturbingly enjoyable to watch due to the excellent performances from the ensemble cast. If you like a juicy courtroom drama, this film will definitely scratch that itch in a really chilling manner.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.