Mount Hakkoda 

Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.

The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.

David Fincher is back in his playpen, with a dark and chilling thriller.

The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.

This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.