NiuNiu - Film Fest Review
The film is a powerful narrative encompassing a theme that many people can identify with.

Let’s begin with the facts. Motown: The DVD contains 18 vintage clips of Motown artists performing some of their best known songs. Only five of the 18 are actually live performances. Of these, Gladys Knight and the Pips’ performance of “Grapevine” at the 1972 Save the Children Concert and Smokey Robinson & the Miracles doing “Tears of a Clown” on the Andy Williams Show in 1971 stand out. The rest of the clips have been gathered from a variety of U.S. and overseas sources including the Ed Sullivan Show, the Mike Douglas Show, Hullabaloo, and Live from the Bitter End. Marvin Gaye, Martha & the Vandellas, Contours, Brenda Holloway, Marvelettes, Stevie Wonder, Temptations, Gladys Knight, Marvin Gaye, Four Tops, Supremes, Martha & the Vandellas, Smokey and the Miracles Robinson, Kim Weston, Contours, Brenda Holloway, Marvelettes, Jimmy Ruffin, David Ruffin, Edwin Starr
The film is a powerful narrative encompassing a theme that many people can identify with.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
Most movies give you their point upfront, while others make you think it’s about a specific topic, then reveal that the story is about something else. Pink Lady belongs somewhere in the middle of those two categories.