10 years ago Megan ran away from her abusive father. Now, after his death, she returns home to her Mother who is seeking forgiveness. What Megan returns to, however, is far more sinister than anything she could have ever predicted.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
Despite this genre not being a new one, The Novice offers a fresh perspective with its study of performance anxiety
Neo Sora left a realistic and yet hopeful notion for the near future and the now.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
