Moses und Aron - Opéra National de Paris 

A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.

The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time. 

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.