Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Filmed live during Morrissey’s most intimate gig in decades at the Hollywood High School in Los Angeles on 2 March 2013, this is the first authorised Morrissey film for nine years and marks 25 years of the solo career of one of the world’s most iconic and enigmatic performers. The film opens with fans talking about their unwavering devotion to the singer and the unique appeal of this unusual venue – a striking contrast to the sold out arena concert at the Staples Center on the previous night. Tickets to the concert in the 1,800-seater school auditorium were sold out in 12 seconds and this now legendary concert became Morrissey’s penultimate performance on the US Tour. Featuring many classic tracks from the artist’s prolific repertoire including Meat Is Murder, Everyday Is Like Sunday, Please, Please Please Let Me Get What I Want and The Boy With The Thorn In His Side, Morrissey 25: Live is an unmissable cinema event for fans worldwide.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
Meander, released in 2021, is a French gory horror film featuring a woman trapped in small spaces as she fights for her life, paralleling real pandemic life.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.