Exasperated and megalomaniac director Carlos Atanes, takes the charge of produce a pilot program for the television, but his interests walks on another way: he wants to leave the audiovisual world definitively, by the most drastic way: hang himself by the neck. Intrepid journalist Diana forces him to fight against his own ghosts. So, both of them live an exciting underground adventure in Barcelona cinema's drains, peopled by the most raved and bizarre characters: rude and wretched producers, revenger and freakish actresses, survival actors, hyper-violent technicians who goes in front of camera...
On March 31st, International Trans Day of Visibility, following some COVID related delays, the trailer was finally dropped, and although Taylour Paige and Riley Keough look to impress as lead characters Zola and Stefani, a brief cameo from a queer icon was what convinced me I have to see this movie.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
