"Sorry, Baby" is a Masterful Look at the Emotions of Life
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

The love of a young woman, Dolorcitas (Ana Giner), descended from a less aristocratic family is disputed by her husband, an enterprising entrepreneur, Melchor Llorens (Leopoldo Pitarch), and by an old and young suitor, Daniel Soler (Ramón Sernequet), a young man with a cradle and a waste of family wealth. This one through the blackmail puts the name of the young woman in question. The festival of Moros y cristianos, in which both are captains, will serve to unmask the young man, save the girl's name and redo the happiness of his marriage.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
An animated short film that never gets old, especially with iconic characters from the Disney series.
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’