A wave of terror is threatening to unseat Shogun Yoshimune. Police stations are erupting into flames, convicts escaping from prison, houses robbed and vandalized, streets teeming with panicked citizens. Is Ijyuin Tanomo, highly-placed official of Owari clan, secretly using deadly ninja to foment riot and rebellion? Narumiya Shinbei, a lone samurai spy adept at ninjutsu must uncover the hidden hand orchestrating these shocking crimes. Shinbei enlists a small band of dedicated ninja to lay siege to the enemy’s stronghold, where his own sister works as an undercover agent. Now, ninja must fight ninja in a last desperate battle to save the shogunate.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
From being unfairly outed, to going after the life you want for yourself, these songs from 'Frozen' perfectly capture the journey out of the closet.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
