No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Moonlight Mile (2002)
As he copes with the death of his fiancee along with her parents, a young man must figure out what he wants out of life.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
As he copes with the death of his fiancee along with her parents, a young man must figure out what he wants out of life.
Rating:PG-13
Genre:Romance, Drama
Written By:Brad Silberling
In Theaters:9/27/2002
Box Office:$10,011,050
Runtime:117 minutes
Studio:Punch Productions, Touchstone Pictures, Reveal Entertainment, Hyde Park Entertainment, Gran Via Productions
Articles You May Like
Escaping Doppelgangers: "Coraline" Serves Up Adventure in a Parallel World
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
‘Raya and the Last Dragon’ is a Disney Masterpiece
The story is a moving sentiment of letting go of the past and putting trust and faith into others. Though you come into this world alone, surrounding yourself with others that support you and want to help is the greatest gift life could ever give.
“Not My Dog,” But It Should Be
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.
Travel Restrictions? No Problem. Travel Through Movies!
If you're missing the freedom of travel, explore the world via these international films that put their gorgeous settings in the spotlight.
"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.