Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

A summer film. About summers. Two seasons splitting it apart by half a dozen years, the youth years – time it takes its characters to realise they’re getting lonely. Hellish summer ends and we’re on a little fishing village, river-side, in Lisbon’s south bank: people make life-changing decisions.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
A film about family and sacrifice... and carnivorous locusts coming after you.
The film is a powerful narrative encompassing a theme that many people can identify with.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.