Laggies: Lynn Shelton’s Film Blends a Coming-of-Age Story With a Quarter-Life Crisis
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy

Two young men journey across the U.S.A to honor one's mother by spreading her ashes at monuments she always dreamed of visiting. Along the way they encounter interesting characters and dangerous situations that force them to question their own character and their life-long friendship. Marital strife, jail time, car chases, old secrets and a demolition derby all threaten to derail their trip and their lives.
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Wild Child tells the story of a wealthy, spoiled teenage girl named Poppy Moore who lives in Malibu, California, who attends a boarding school in England. This film shows us how Poppy is first labeled as a fish out of water compared to her boarding school classmates, as she is a wild child, but eventually earns her roommates' friendships and respect.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.