Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
Monster (2024)
After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.
Rating:
Genre:Thriller, Horror
Written By:Alim Sudio, Justin Powell, David Charbonier
In Theaters:5/16/2024
Box Office:
Runtime:84 minutes
Studio:Falcon Pictures
Cast
Articles You May Like
The Bubble: A Spoonful of Comedy Doesn't Make the Social Commentary Go Down
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
"The Diary of a Wimpy Kid" 2021: A Long-Awaited Reboot
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
‘Moxie!’- Amy Poehler’s Attempt at Feminist Film
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
Vicky and Her Mystery Dog Become Friends
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
It's Theater VS Cancer in "Don't Say Good Luck"
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.