Adult Natasha travels back in time to speak to her younger self, as a way to reconcile and forgive herself for what had happened.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
