‘Black Widow’ Is About Yelena, Not Natasha
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.

Merging the traditions of art house and splatter, Mondo Veneziano: High Noon in the Sinking City pokes fun at the bloated importance of discursive theories in contemporary art. Cast in an abandoned Venice – a derelict film set in Luxembourg, as it turns out – this short fiction relates a meeting of a curator, a theorist, a painter and a “relational” artist who appear to engage in complex theoretical debates. Their verbal confrontation – a grotesque patchwork of quotes that mocks the art world’s infatuation with sampling and referencing – is punctuated by a string of dreamlike sequences in which the stereotypical characters are seen killing each other in the best tradition of mondo films.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
This theatrical sequel based on the PAW Patrol series features voice actors of color in this action-packed adventure.
This Agni Kai looks cool and is funny as well!
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
Writer and producer of 'Remember Me: The Mahalia Jackson Story', Ericka Nicole Malone discusses her humble beginnings in the industry.