Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

"Parallel universes, doppelganger, world lines, reality, truth, jealousy, delusion, adoration, truth, regret, love, dreams, memories, borders. I don't understand it … I just want to see you!" The newly discovered planet Emanon emerges one night at the sky. A weird customer brings Mika a strange present from his journey to "Agartha". And she... is still unable to cope with the sudden parting of Teru.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?