The Trojan Boat – The first theatre work by the Viennese brass septe Mnozil Brass, which has justly been described as the “Monty Python of Music”. Mnozil Brass are all graduates of the famous Vienna Conservatory and impress with their breathtaking comedy and over-the-top imagination. Fully in compliance with Shakespeare’s motto “Let me play the lion too”, they take on all the musical and acting roles in their operetta and – just in passing and with a lot of humour – they also blur the borders between stage and orchestra pit.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.
The Olivia Wilde renaissance is upon us.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
This is not McDonald’s. This is something different.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
