'Slanted': If You Can't Beat Them, Be Them
A dynamic journey of self-acceptance and identity.

The movie tells about the relationship between young people who love each other. Young Mishka's family works on a construction site in Budapest, and on weekends they come home to their village on the Great Plain to relax and have fun. It is here that the young man meets Klari. He learns that Klari is his fellow villager, although she also works in Budapest. They arrange to meet the following weekend. Mishka is truly in love. Clarie is too, but she doesn't dare to admit to him that she has been unfaithful.
A dynamic journey of self-acceptance and identity.
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.