Saloom, a mischievous young Bahrain boy from an economically challenged background pretends to be sick to avoid school. He spends the entire day listening to his older brother’s mixtape to the point where he ruins the tape and falls out with his brother when he is discovered. Ashamed and determined to fix the tape, he rushes to a local music shop to get it fixed… but can’t. Now he must remake the tape using his memory and ultimately discover his hidden talent and potential for music
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
In this coming-of-age movie centered around senior prom, Mandy is anxious about her acceptance into Harvard while she realizes she's missing other opportunities.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
