
Kathy Morrison (Harris), mother of three, who helps run a "color-blind" adoption program, wants to have another biological child. Her husband, Pete (Bologna), the head coach of the Phoenix Suns, finds out he can't produce another child. Kathy thinks about adopting a boy, Frederic "Freddie" Wilcox, and Pete does not want to adopt a boy who happens to be black. When he relents, Freddie's arrival causes an upheaval in the Morrison's neighborhood, their school, and family. Kathy's answer is to adopt another child, in this case two, a war-traumatized half-Vietnamese girl, Quan Tran, and a Hopi boy, Joe. The new extended family must now learn to live together.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.