Luz de 'Cuatro Lunas'
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.

Sibylle, a young Parisian with long teeth, intends to shine in her new job by buying a hardware store in the Basque Country to set up a supermarket. She imagines that she has "rolled" the old owner but the latter is under curatorship. Sibylle must therefore deal with Ramon, the nephew, to recover his money and sign as soon as possible. Otherwise, the ejection seat is assured. She will soon realize that the Basques do not intend to let themselves be made by a Parisian, however pretty she is.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
A masterful portrayal of a long-forgotten story that needs to be told.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
This romance movie has strong representation of Taiwanese people.