“Michael” and the Tension of Lacking Tension
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.

France. End of the 19th century. Louise Violet 40, a Parisian teacher, is sent on a mission to the French countryside. But in a place where the daily life is linked to the seasons, land and crops, she must first convince parents to send their kids to school. With the help of the mayor, she is gradually accepted by the parents and their children. But soon, her past catches up with her. Despite the obstacles she faces, Miss Violet will give her heart and soul to her belief that education is the key to freedom.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
The re-living of this historic trial through this film is relevant to current politics and disturbingly enjoyable to watch due to the excellent performances from the ensemble cast. If you like a juicy courtroom drama, this film will definitely scratch that itch in a really chilling manner.
A family adventure film that features Hawaiian culture with a representative director and a diverse cast.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.