‘The World to Come’ Movie Review: A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

The young American heiress Alice—a spoiled, capricious millionaire’s daughter—is sent abroad by her exasperated father to live with her uncle, who promptly grows so weary of her whims that he throws her out. Determined to escape her family’s meddling, Alice devises a morbid plan: she will marry a man who is already gravely ill and sure to die within two weeks, leaving her a carefree widow.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Could you use some hearty laughs? Then you’re in the right place! Enjoy this selection of diverse international comedies.
Two Korean sisters must save their family after a ghost tears the family apart.
Emily and Stephanie are back... just add gin and drama.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.