Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

At the insistence of Ruth Van Rydock, an old schoolfriend who is convinced that there is something wrong, Miss Marple agrees to visit 'Stonygates', the country house of Ruth's sister.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The June episode of the Incluvie Movie Highlights provides 3 new and buzzworthy films presenting different types of love: Good Luck to You, Leo Grande with intimacy, Father of the Bride with familial love, and this month's feature - Fire Island, with intimate and romantic love. Movie Critic Melanie Ojwang joins us to discuss Emergency.
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Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.