Miss Homeless 

I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.

'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.

In 'Maestro,' we're left with an impression but not with an understanding of the main character.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.

Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.