A young drag queen, Dodong, who joins a barangay gay pageant to gain acceptance in his father’s community. He is instead met with hostility from his father, who chases him into a jungle, where he sobs to a lone bright star. What follows is the strangest night in his entire life, and an even stranger nine months when he realises he is pregnant. Dodong deals with ridicule from a barangay who does not believe him.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Like Stars on Earth is a representative movie that talks about dyslexia to young audiences and why it is important in today's generation.
