“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
Mirrorball
Vivienne Keill and Jackie Riviera are a couple of aging stage actresses who live in vertically adjacent flats. The two are of questionable talent, and their careers seem to be at a standstill. During the course of the pilot, Vivienne has the opportunity to be cast in a new show but delivers a horrifying rendition of the standard "Send in the Clowns", thanks in part to Jackie's off-kilter advice.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Vivienne Keill and Jackie Riviera are a couple of aging stage actresses who live in vertically adjacent flats. The two are of questionable talent, and their careers seem to be at a standstill. During the course of the pilot, Vivienne has the opportunity to be cast in a new show but delivers a horrifying rendition of the standard "Send in the Clowns", thanks in part to Jackie's off-kilter advice.
Rating:
Genre:Comedy, TV Movie
Written By:Jennifer Saunders
In Theaters:
Box Office:
Runtime:29 minutes
Studio:BBC
Articles You May Like
“You Can See Everything” and it’s a Lot
This glimpse into this world is so captivating that it is an easy must-see, nearly flawless, and exceptional in every way.
Trans Allegories in Film: 'Robots' (2005)
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
I Love You Forever—RomCom Turned Nightmare Relationship
I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.
My Father's Dragon is a Legendary Tale
A young boy who runs away from home discovers friendship when he befriends a young dragon in this animated movie.
"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.