Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
