The White Boy Saved Us All Again in Gladiator II
A direct fall into the white savior narrative

"THE WORST NIGHTMARE RESTS WHERE NOT EXPECTED" After being released from a mental institution, Milla is taken to her new home by her husband Gregor and their daughter Madleine. As they settle in the new house, Milla experiences a series of events, that may be supernatural or in her head. The key to this phenomenons are the holes in the wall, that keep constantly staring at her. Somehow she feels watched through the holes, that appear to breathe and replicate through the house - although Milla doesn't witness a ghost, she feels it. It tries to remind her of something long forgotten. As Milla's broken mind made her vulnerable and susceptible to whatever ghosts may haunt her house, it becomes more and more difficult, to say what is alive and what is an echo. In the end Milla finds out, that the ghosts are a manifestation of her pain, that has built the home she lives in.
A direct fall into the white savior narrative
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.