
A tragico-comedy about borders. Miguel Alvarez, a reliable and consistent middle-aged customs-officer at the border of Tijuana and San Diego is faced with the threat of having to cross the biggest border of all. He has cancer. Tijuana’s la Linea is the most crossed border in the world, and also one of the deadliest. Thousands have died trying to cross it illegally in search of a better life. However, Carlos, Miguel’s inventive coworker, has found another way of crossing over. Carlos invites Miguel to the DAY-OF-THE-DEAD Drag Show where he performs.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
How do zombie films shine new light in the post-Covid and post-Brexit era?