
Michail is an artist. He is working on a series of paintings called "Franz Kafka's Diary". His son Daniel is thirty-four, and yet his life is hardly separable from the life of his father. He is deaf and mute, and suffers from a severe form of cerebral palsy. Michail is determined and energetic, Daniel - persistent and charismatic. And they are a striking couple. The film offers a detailed observation of two interconnected characters.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.