The life of forty-six-year-old Oksana changes when her husband Tolik turns into a seven-year-old boy. Doctors are powerless, and nobody can turn him back.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Rip Tide is a coming-of-age film that teaches viewers about finding yourself and reconnecting with surroundings.
