Mi tío Ramón 

Omaha reminds us of what it can feel like to look at old family photographs.  You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it. 

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.

As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.

"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.

Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.