“Deconstructing Karen” Demystifies White Allyship
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.

When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.