An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
Merry Textmas (2022)
Gaby Diaz, an app developer from Austin, Texas, and the last unmarried sibling in her family, heads to her abuela’s house in Oaxaca, Mexico, for the holidays. When she accidentally adds Alex Alvarada, a graphic designer who’s lost touch with his own Mexican roots, to the family group chat, her family invites him to come along for the holidays.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Gaby Diaz, an app developer from Austin, Texas, and the last unmarried sibling in her family, heads to her abuela’s house in Oaxaca, Mexico, for the holidays. When she accidentally adds Alex Alvarada, a graphic designer who’s lost touch with his own Mexican roots, to the family group chat, her family invites him to come along for the holidays.
Rating:G
Genre:TV Movie, Comedy, Drama, Romance
Written By:
In Theaters:12/4/2022
Box Office:
Runtime:85 minutes
Studio:Lifetime
Cast
Articles You May Like
'Don't Lose Your Head' - MiamisFF Review
'Don't Lose Your Head' follows the motto of "grades aren't everything."
"Supergirl": The Bravery And Ferocity Of Dark Feminine Energy
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
"Lyle, Lyle, Crocodile" Brings a Big Surprise
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
‘Kathak: Dancing With Taboos’ Film Festival Review: A Story of Passion and Perseverance
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.
‘Midnight at the Paradise’ is a Love Letter to Film, Music, and the City of Toronto
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.