Women Are Just Convenient Puzzle Pieces in “Animals”
A deer caught in the headlights is the perfect metaphor for Animals.

The story of two women, two generations apart, who coincidentally return to Hong Kong from San Francisco where they had their first, fleeting encounter on the streets as strangers.
A deer caught in the headlights is the perfect metaphor for Animals.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.