Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Merry Christmas, Mr. Lawrence poster

Merry Christmas, Mr. Lawrence (1983)

Island of Java, 1942, during World War II. British Major Jack Celliers arrives at a Japanese prison camp, run by the strict Captain Yonoi. Colonel John Lawrence, who has a profound knowledge of Japanese culture, and Sergeant Hara, brutal and simpleton, will witness the struggle of wills between two men from very different backgrounds who are tragically destined to clash.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Island of Java, 1942, during World War II. British Major Jack Celliers arrives at a Japanese prison camp, run by the strict Captain Yonoi. Colonel John Lawrence, who has a profound knowledge of Japanese culture, and Sergeant Hara, brutal and simpleton, will witness the struggle of wills between two men from very different backgrounds who are tragically destined to clash.

Rating:R
Genre:Drama, History, War
Directed By:Nagisa Ōshima
Written By:Nagisa Ōshima, Paul Mayersberg
In Theaters:9/2/1983
Box Office:$2,306,560
Runtime:124 minutes
Studio:Recorded Picture Company, National Film Trustee Company, Antares-Nova, Oshima Productions, Broadbank Investments, Asahi Broadcasting Corporation

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger