A Closer Inspection of LGBT Characters in Film
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
Merry Christmas, Baby (2016)
Marci throws herself into preparing for Christmas and building her new event-planning business. But when the business gets off to a rocky start and members of her family face their own hardships, Marci steps up to help everyone have a good holiday.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Marci throws herself into preparing for Christmas and building her new event-planning business. But when the business gets off to a rocky start and members of her family face their own hardships, Marci steps up to help everyone have a good holiday.
Rating:
Genre:Family, TV Movie
Written By:Rhonda Baraka
In Theaters:11/13/2016
Box Office:
Runtime:81 minutes
Studio:Swirl Films
Articles You May Like
"The World to Come": A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Incluvie Film Festival Review of 'Sleep No More'
This short film was an overall creative success.
‘También la Iluvia’: A Lesson in Shallow Representation
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
“Together”: Love Hurts, Sticks, and Sometimes Chainsaws
Michael Shanks’ Together is a queasy, hilarious, and surprisingly heartfelt body-horror trip that fuses love and terror in the most literal sense. Starring real-life couple Dave Franco and Alison Brie, this midnight gem twists Plato’s soulmate myth into a gory, darkly funny tale of codependency, cults, and chainsaws — equal parts romance and nightmare.
It's Theater VS Cancer in "Don't Say Good Luck"
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.