“La Bola Negra” is Daunting
La Bola Negra is an achievement worth praising and worth seeing.

A young King Arthur is awoken from his sleep by bad dreams, about a boy who is made king because he pulls a sword from a stone. He goes to Merlin to seek his counsel, and Merlin begins a story of his own, about a young boy with strange abilities and visions. The boy, called Emrys, is feared in his village called of as a demon. Eventually, King Vortigern comes and forces his village to build a tower for him. However, the tower crumbles. His wizards advise him to find a demon boy and spill his blood upon the ground. However, when the boy is brought before Vortigern, he predicts that there is a pool of water beneath the foundations of the castle that weaken it. The workers find a pool of water and two strange stones, from which two beasts emerge, a white and a red dragon.
La Bola Negra is an achievement worth praising and worth seeing.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
The second film takes us on Peter's journey to be understood.