In her thirties, Jeanne loses her father in an accident. A few years later, her mother becomes involved with a man who bears an uncanny resemblance to the deceased. He's not a ghost, just a bad look-alike, and Jeanne's mother has decided to have him re-enact their story, according to her own rules. But even if it means bringing back the dead, Jeanne feels she has something to say, especially what she couldn't say when her father was alive.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
This modern update of the beloved classic swaps Cyrano's signature pronounced nose for achondroplasia, for a different vision that still retains the original's essence.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
