“Boy”
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.

Norman is living a happy life with his family when strangers kidnap him and his wife Kala and shoot one of his children dead. When he regains consciousness again, he finds himself locked in a cage.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.