The Drama: A Marriage of Discomfort and Empathy
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.

Satria, a professional thief, lives ironically within an academic community. Behind his friendly demeanor, he crafts a step-by-step guide to stealing—divided into two phases: pre-theft and theft. Through witty yet biting narration, the film peels back the layers of moral absurdity in society, questioning the line between cleverness and crime. A social critique wrapped in satire and irony.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
'Run This Town' takes an unflinching look at the Rob Ford scandal that shook Toronto to its core while using fictional millennials to drive a concise story .
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.