Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

The rise and fall of sicilian most important mafia bosses after WWII: Luciano Liggio, Totò Riina and Bernardo Provenzano, all from Corleone. Their friendship and struggle against italian state.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
Season three of Netflix’s "You" has finally made its comeback! Was it worth the wait? Well…I would not say so. It felt like a bit of a chore to get through. But, as I am somewhat of a completionist, I eventually saw the season through to the end.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.