
As the Japanese military has established the puppet state of Manchukuo and is advancing its invasion of Asia, fighting intensifying battles against anti-Japanese partisans, the Godai zaibatsu becomes involved in large-scale opium smuggling. Shunsuke, second son of the Godai family, falls in love with a married woman. Meanwhile, Kohei, the love of the second daughter, Junko, throws himself into the anti-war movement.
Ever since the mid-’90s, the Mortal Kombat game franchise has seen multiple attempts to make it on the big screen, or at least adapted into other media.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.