A Haunting Portrayal of Motherhood in "The Lost Daughter"
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.

A one-night theatrical performance adapted from Marguerite Yourcenar’s epistolary novel, performed for TV in the monumental Canopo at Villa Adriana (Tivoli). Directed and starring Alessandro Preziosi (with Elisa Di Eusanio), it blends theater, music, and contemporary art installations by Alfredo Pirri, with original music by Giacomo Vezzani and live interventions featuring saxophonist Stefano Di Battista and violinist Giovanni Andrea Zanon.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
A dynamic journey of self-acceptance and identity.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.