Walk. Ride. Rodeo. Reveals Amberley Snyder's Success
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.

An improvised tragi-queer film about an older gay man who was once the (caviar and) toast of the gay rave scene. He takes care of the homes of residents in a high-rise Johannesburg suburb, from older Jewish women to messier gay men. The houseboy is obsessively in love with his client, the celebrated captain of the Flamingos synchronized swimming team. He is the ultimate bunny boiler in the bunny suit. Rejected by the object of his affections, he takes refuge with a kinky lesbian/queer couple. Tensions rise as he drives a man-sized wedge in their relationship.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
Life may find a way, but is it worth testing its fierceness and how far it will go?
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.